SOMEWHERE OVER THE RAINBOW
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by  Kwangho Shin
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likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
likeafieldmouse:

Francis Alys - Sometimes Making Something Leads to Nothing (1997)
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thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
thecoolsumist:

Everyday Objects Made Unusable by Giuseppe Colaruss
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mfjr:

Vanessa Walters
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likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”
likeafieldmouse:

Berlinde de Bruyckere - We are All Flesh (2004-12)
“An unsettling, reconfigured concept of the body, helpless and contorted, takes center stage in Bruyckere’s faceless sculptures. Abject deformation is turned into beauty as if the artist were trying to wrest a shape from abstract form.”